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This wasn’t only notable for Marvel audiences, but the collaboration between Marvel and Sony made this an important franchise movie. (Rupert Wyatt, 2011) and offers a compelling take on how the ability to speak defines our humanity.
I experienced a phenomenal (if hyperbolic) moment in the cinema watching this movie: I felt honoured to be alive on the same planet where cinema is made.
(Luke Mc Gregor, Celia Pacquola, 2016-) or Sophie Monk.
There’s already enough television in this list to incite riots, so radio is an almost impossible stretch, but I still know I’ll return to John Finnemore’s “Here’s What We Do” and “The Wroxton Box” more than any other Julia Ducournau, 2017).
Showing and telling as much about sisterliness as about unsisterliness, and female body image and empowerment, it explores the borderlands between taste and disgust and steps over the line separating humans from animals and the supernatural: it takes us to places that we often like to pretend don’t exist.
And in a particularly good year for music and soundscape, Jim Williams’ super creepy music is inspired. but this is a serial sex/murder–comedy starring Samantha Robinson as a modern witch who bewitches men to fall in love and fuck with her – at which point their end is nigh.
A Few 2017 US Premiere Favourites The following made their non-festival premieres within the US in 2017 (and I didn’t include them in last year’s poll): Why make a list only with ten films?A brutal assault on online content including the mind-blowingly Brechtian “Italians vs.